Rami Ismail (ramiismail.com)                             

Event Schedule

Biography

Rami Ismail is the Business & Development Guy at Vlambeer, a Dutch independent game studio known best for Nuclear Throne, Ridiculous Fishing, Super Crate Box, LUFTRAUSERS, GUN GODZ, Serious Sam: The Random Encounter & Radical Fishing.

Through his work at Vlambeer, Rami has come to realize that the marketing & business facets of many independent game developers could use some help. As such, he created the free presskit-creation tool presskit() and is working on side projects such as distribute() and gamedev.world.

Believing sharing knowledge openly is the cornerstone of independent development, Rami has spoken on a variety of subjects at dozens of game events around the world, ranging from the Game Developers Conference to Fantastic Arcade & from University seminars to incubator mentorship.

He is a avid opponent of game cloning after Vlambeer's Radical Fishing got cloned. He is also a proponent of searching for new, beautiful things in places no-one is looking for them and thus organized Fuck This Jam, a gamejam focused around making a game in a genre you hate. Rami also worked closely with the Indie MEGABOOTH team to enable indie studios to showcase at the larger game conventions, runs the #1reasontobe panel at GDC, and helps as an advisor on events such as Devcom, Train Jam, PocketGamer, and NASSCOM GDC.

Rami has received several awards and recognitions for his work promoting game development around the world, including the IndieCade Game Changer award for the decennial jubileum of the festival.

 
 
 

RAMI IS CURRENTLY IN THE NETHERLANDS.
YOU CAN REACH HIM AT RAMI@VLAMBEER.COM, , , OR BY CALLING +31 (0) 621206363.

Lightbars in Her Story

One part that’s interesting to analyze in a game is what the player’s presence is. In most modern games, players assume the role of a character, while in games like Candy Crush or Tetris, the player is simply that – the player. In some games, as Brendan Keogh pointed out in his analysis of SUPERHOT and Cibele, the player is intentionally kept out of the game world entirely or forcefully. One of my favorite recent games in terms of presence is Her Story, which has you assume the character of a detective (not very original) sitting behind a computer sifting through files (the player character does the same as the player, also not super original). But the light bars that reflect in the virtual screen of Her Story, those are something I hadn’t seen used like that.

The light bars, in the screens’ reflection, are inferred to be behind you in the physical world, your real-life reflection mixing with the reflection the game projects into our the real world. In a way, Her Story reaches into the real world and puts something there that isn’t real behind the player. It creates a weird sence of being enveloped by the game world, as your reflection and the game’s reflection meld together into what you see on your screen. It’s an extremely simple and subtle effect, but it created a sense of presence I’d expect of VR or AR, just like that.