Archives: aside Posts

There’s a few things that keep getting lost in the discussion around PewDiePie and Campo Santo’s DMCA. I just wanted to list them, instead of repeating myself over and over on Twitter. The slippery slope argument depends on content creators’ rights being on that slope. They’re not. Technically, all Let’s Play and other content is copyright infringement, and until a precedent for fair use has been set through court proceedings they Read More...

I got a bit morally stuck wanting to tweet about an article, so instead I decided to write a short blogpost about it. Robert Yang’s work tends to include powerful commentary on and about sexuality and gay life, and touches upon topics that in many cultures and countries might be classed as inappropriate. On my Twitter, I tend to avoid topics of sexuality due to the wide and worldwide variety Read More...

I read this apology for an Islamophobic post from a British game company owner on Kotaku today.  I got angry. I wrote an inline response. The bold parts are the apology’s original text. My responses are the rest of it. Yes, this lay-out is half-copied from the amazing nodontdie.com (which you should read) because I couldn’t come up with another one this fast. If you’re trying to apologize, start by identifying who is Read More...

I run a creative business. In fact, I make entertainment. One of the most common discussions I face on social media is the idea that I should not put politics into my work, and that I should not use my platform to talk about politics. I should not talk about politics because my purpose is to entertain, to distract, to make my entire existence a function of my job. Making games Read More...

Last week I visited the annual IndieCade Festival, which was an absolute delight. I had the opportunity to check out some of the many phenomenal games on display – Wheels of Aurelia, Replica, Bad News, Beglitched, Killbox and Elsinore, just to name a few – and catch up with a lot of the local community. I was also asked to announce the winner of the IndieCade 2016 Grand Jury award. With that comes the ability Read More...

Event[0] is a game about survival. If you haven’t played it yet, I’d like to warn you that this article contains major spoilers. As in, this post reveals the ending of the game, and some of the most magnificent moments in the game. The game is a few hours long, available through various stores through their website, and launched at $19.99. It is a fascinating game, and one of the more tense Read More...

Over the past few days, my constant No Man’s Sky ramblings on Twitter have led to a number of interviews from domestic and international press about the game. One thing that really caught me off-guard was just how hard it is to pitch No Man’s Sky. I decided to spend some time today looking at Hello Games’ pitch for No Man’s Sky, and came away rather impressed at the care Read More...

No Man’s Sky didn’t send out review builds because the game wasn’t done. No Man’s Sky gets leaked by resellers breaking street date. Polygon, Kotaku, and numerous streamers obtain a copy before release date and play it. No Man’s Sky developer and the platform holder both say the game isn’t final. No Man’s Sky developers shows changelist for the Day 1 patch to stop this nonsensical discussion about a build that Read More...

Games communicate something from the creator to the player, and as such, carry intent. While I can’t statistically prove it, I’ve come to believe intent is what separates a good from a bad game. Intent creates a direction, an impulse to a design. It doesn’t necessarily start at the idea’s inception – very often a game comes from messing around and experimenting, but at some point an intent must form. Read More...

Last week, I visited Tel Aviv to speak at GameIS, an independent games event run by a group of indies and volunteers from the Israeli games industry. It was a phenomenal event, filled with inspiring, aspiring and creative individuals. The event felt vibrant, and was full of interesting projects. Given my political views in favor of a Palestinian state, and my heritage as an Egyptian Arab, I was not surprised Read More...

I read this guest post by Alex St. John today on Venturebeat (which is one of my favorite destinations for industry news, by the way). I got angry. I wrote an inline response. The bold parts are the article’s original text. My responses are the rest of it. Yes, this lay-out is half-copied from the amazing nodontdie.com (which you should read) because I couldn’t come up with another one this fast. I read this Read More...

Quantum Break is a video game intertwined with a TV series. It’s neither, and also both. It’s hard to explain. If there’s any spiritual predecessor for the game, it’d be Remedy’s previous release, Alan Wake. The game is set up similarly, in Episodes that are effectively TV series episodes, complete with cliffhangers and credits sequences. The actors used for the real-life TV series are also the motion capture, body capture Read More...

To me, one of the most fascinating narrative things in games is the narrative justification for whatever unholy acts you have to fulfill to somehow end up on the side of good again. Where most games cater to a power fantasy, they also cater to a sense of moral justness, and to resolve the two people need a good reason for their spectacular murder sprees. One of my favorite examples Read More...

Convenience is something that sounds exclusively positive, but I was reminded yesterday that it can have rather harsh consequences. During my irregular call-in show Call Me Ismail yesterday, Palestinian developer Rasheed Abueideh reached out to talk about his upcoming game Liyla. It’s an Android game based on the events of the Israeli attack on Gaza of 2014, from the perspective of a girl who lived through the war. Rasheed called to talk about general advice, Read More...

One part that’s interesting to analyze in a game is what the player’s presence is. In most modern games, players assume the role of a character, while in games like Candy Crush or Tetris, the player is simply that – the player. In some games, as Brendan Keogh pointed out in his analysis of SUPERHOT and Cibele, the player is intentionally kept out of the game world entirely or forcefully. Read More...

I was thinking about language the other day and realized there’s a beautiful example of a system that is partially designed with intent, and partially grown through chaotic iteration. Most language has a design, but mostly has grown organically through a history of centuries and centuries. Anyway, I got curious about purely designed languages, such as Esperanto, and found an entire list of designed languages. There are two that stood Read More...

There’s one mantra that has guided me over and over and it is that every structural action you take causes ripples. I don’t want to go as far as to say I believe in the butterfly effect as much as 2015 horror title Until Dawn did. What I do believe in is that facilitating things pays off in the long run. If you worry that there are not enough developer Read More...

Adriel and I were visiting Campagne Cafe in Seattle at the recommendation of a friend & got to talking about salads when Adriel ordered one. We ended up talking about how salads are referred to as ‘rabbit food’ by people in the US sometimes, and I thought it was interesting as the Dutch will call it ‘konijnenvoer’. The two of us being huge etymology fans, but the etymology here seemed Read More...

One of the most interesting conversations happening in games right now is the controversy surrounding Fire Emblem: Fates, a Nintendo game in the popular Fire Emblem series. While the game originally launched in Japanese markets in June 2015, the US version of the game came out today (as of this writing, there is no mention of a EU release date), and it’s already one of the most controversial launches in Read More...

Sorath’s Devil Daggers released today and it is fantastic. It’s fast-paced, it’s brutal and it’s relentless. What is most striking about how relentless it is, though, is not the relentless action – the type of overwhelming mayhem Vlambeer uses in our own games to force flow in the player –  Devil Daggers is relentless in its identity. More than anything, it has become clear that independent titles that manage to relentlessly adhere Read More...